Pageviews past week

Saturday, April 13, 2013

POETRY READING MONDAY, APRIL 15, NOON

April 15, NOON
UC Davis Bookstore Lounge
on campus UC Davis
Davis, CA

I'll be reading from my new book
97 POEMS

There will be a book signing afterwards.
Please attend if you are able.
These campus readings are usually not
very well attended.
I could use your support.

THE HARP IN THE CIRCLE

FFireflies at Ochanomizu, 1880 - Los Angeles County Museum of Art
Kobayashi Kiyochika

Here is one of mine.

THE HARP IN THE CIRCLE

The hard songs come through
Holes in the night sky,
An impending electricity of purpose
Gathers into patterns, constellations
Remembered from dares we took
As children, stories around 
The night time fires,
The stars, reminders of our bone
Dust congealed within our sorry bodies.

Touched with grace for a moment,
They are able to form a mouth,
Then a music, then a welter of instruments.

We hear them as animal voices,
Frogs and loons, crow talk,
The coughing of a cat,
Slap of fish on quiet water.

Oh let us sing the hard songs.
Songs of goodbye and of parting,
Of winds on the moors and
Mists moving across bogs
where plants eat meat,
Dreaming they are gods,
Where love flees a room
Dense with violins and clarinet
Laments.  Pieces of loves across
Ages of time, dead ancestors
And friends turn from our embrace
To ride the night sky forever,
To pour through shining holes in the night sky.

The Rio Vista bridge, Sacramento River, 2012
photo: D. R. Wagner

Clouds Above Elk Grove, 2013
Photo:  D.R. Wagner

Another one by me.

A PROPOSAL

But I’m walking in the labyrinth 
And the labyrinth begins to wander
Away from me.  I have heard
About a ancient moon from Chaldea
That can decipher the climates
Of the heart and yet refuses
To do so until only the legend of its existence
Remains and even this is confined in a room
So silent it is said to exist only in a mirror.

I will go there and you may go with me
If you would like to see the
Kingdoms conquered, to learn to
Regret that the infinite can exist
In simple stories and uncountable
Rivers that flow through everything
We give meaning to every day
We forget or do not wish to name.

And there you may want to ask this same
Kind of question. Here is a personal souvenir. 
It is a footprint toward the center.
I no longer recall where
I acquired it and since I am going
Out to sea again, I have no use for it
At all.  Perhaps you will make something
Truly memorable of this day without
Getting lost in it.  It is not so easy to do. 

Night Light

COMING BACK TO D.R.'S SPOON



TIME TO GET BACK TO THIS BLOG AND START POSTING ITEMS AND POETRY AGAIN
It has been too long and I keep finding I discovered too many images and good poems to use on Face Book.  I also want to open up another blog for my students from last quarter at UCD.  Details to follow.

MUEDUSA'S KITCHEN at http://medusaskitchen.blogspot.com has been featuring my poetry and photography now every Saturday for some time.  I generally only publish my work at MEDUSA'S KITCHEN.  So if you enjoy reading, it MEDUSA'S KITCHEN is a good place to find it.

The year is a banner year for me.  Cold River Press. org has published my 97 POEMS in a truly beautiful edition of 240 + pages, perfect bound, with cover and inside illustrations by Bodhi.  I also have some photographic illustrations in the book.

The book is available for $24.95 plus $5.00 shipping from www: COLD RIVER PRESS.ORG.

I also have a very limited edition chapbook published by wwwbospress.net.  The book is named: PRIVATE ARCHAEOLOGY. This  book was designed, printed and hand bound by Bill Roberts in Dover, Delaware.  The text is set in Adobe Garamond Pro and printed on an HPCP2025dn.  The cover is printed letterpress on a Vandercook SP15 on 160gram Fabriano Tiziano paper from copper plate and handset metal type.  the first edition is limited to 126 copies.  100 sewn in wraps and 26 lettered copies, hand bound in boards and signed by the author.
The book is 40 pages, 5.5 inches x 8.5 inches.  The cover is by Tom Kryss.
Paperback Edition is $8.00
Signed Hardcover Edition is $30.00
It is available now.
I feel BOTTLE OF SMOKE PRESS produces the best looking and most cared for books of poetry on the planet.  I am honored to have them do a book of my work.

This summer LUMMOX PRESS, www.lummoxpress.com will publish a collection of 100 of my poems in a 148+ page perfect bound book called BREAKING AND ENTERING.  The book will sell for $15.00 and may be pre-ordered at the above address.  The cover is my Michael Robert Pollard, a wonderful artist currently living in Chicago.  It also features photographs by myself throughout the book.  Price is $15.00 plus postage.  It is a very nice collection of my work.

I could not be more pleased to have this much work all published within the same year.  Please order a copy for yourself.

Michael Robert Pollard painted this portrait of me almost ten years ago when he was living and working in Davis, California at the University there.



Here is a self-portrait by me more recent
than Michael Robert Pollard's painting.


Here is a poem from
  BREAKING AND ENTERING


KING LEAR ON THE HEATH

The swarms are moving in.  They pass
Through our breath and fog the glass of days
Completely.  If they have bones, they use
Them to make music, a curious dry, music,
The sound of grasshopper wings in a still field.

We begin to write the opera they contain.
“I am more alive that you.”, wail the flutes,
Lugging their way through storms and broken
Reed to light upon the quick scarves of the 
Tongue and burst into colorful flame, capes
Unfurled, as if they were not paying attention 
To how the story might go.  They eat heroes
And heroines alike, spitting out the small bits,
Extinct and irrelevant but always catching us,
Making us regret their actions, passing us
With thick arms and buckets filled with fascinating
Treasures from the deepest parts of the sea.

Finally we are asked to walk among them,
Suspend belief, give ourselves over to their
Crackling displays that take language out
Of the senses violently, pulling our hair
To direct us in the direction they will have us
Go.  We become weary meeting other people.
Looking for the light in their eyes that allows
Us to understand they have seen what we 
Have seen, heard what they have heard.

From on high we can watch the doors of perception
Swing open and closed, millenniums of behavior,
Always similar to our own but finally crouching
Behind one another, As flies to wanton boys, 
Are we to the gods. They kill us for their sport.

We will leave the room quickly, dress without
Caring, only to be warm, find our way into the snow.
We will get into our automobiles, humming to ourselves
To keep some sanity and drive off into  music finally
Done with it, lucky to be alive.
































Sunday, July 15, 2012

TWO EXCERPTS FROM 'SEE YOU IN THE MORNING' BY KENNETH PATCHEN

Kenneth Patchen published 'See You in the Morning' with Padell, New York, in 1947.  i do not think it has been re-printed since then.


Pages 159-160.



   Soft dark velvet shoes walking slowly down into the valley.  Red barns turning gray....
   Stars coming out like bubbles in a dish of ink.  The frosty breath of the river wreathing up into the purple mouths of pine trees.
   Houses.  A dog barking....
   Fields.  The irritable good-nights of blue-jays....The rusty creaking of a windmill....
   The ruhhahahanahaha-ing of a distant train.
   "Did you lock the chicken coop, michael?"
   The light going fast.  The lonely whistle of a boy coming back from the pasture where he has taken the cows.  He vaults the rails of the fence, catches the whistle again.  The cows move forlornly about, shadows of waning shadows, their hooves like frozen, ugly fingers pressing into the wet grass.
   Ruhhahnanahahahaoooahahooeeee....
   "We'd better bring the tools in from the garden - it feels a lot like rain."
   "Oh it won't rain tonight.  wouldn't surprise me, the wind'll shift back the other way afore Jack Benny comes on."
   A chipmunk flings across the road, his cheeks bulged out like tow furry little baseballs.  the dipping headlights of a car just miss him.  He is already swinging off to a second tree when the roadster comes up.


Page 170.


   A creation of haphazard order, the craning necks of trees dipped sleepily off into the remote and ever-changing lacework of lights which pinpointed the village far below them.  The moon clung to the chimney of the old house like a silver gumdrop pressed down by giant, invisible fingers - veined by the occasional licorice of a darkening cloud.
   Horses, serpents, drunken warriors, castles, thousand-legged frogs and whole histories of the unexpected floated above them with that zeal characteristic of things which partake of eternity.
   And higher still the ancient stars, like flowers torn from milk, tossed silently on their velvet table.  Over in the orchard the night breathed through soft, perfumed nostrils; and down on the riverbank violets shuddered delicately under festive lips.
   ere and there on the roof of the mansion leaves of moonlight scampered about like frightened flows.  the broken windows looked out like eyes into which tinsel and burnt apples have been smashed.  A loose drainpipe under the eaves rattled like the can of an old man tapping across a rusty floor.

Wednesday, June 27, 2012

H.H. MUNRO-SAKI - TOBERMOREY



[Tobermory]
by 
Saki

(From THE CHRONICLES OF CLOVIS)
It was a chill, rain-washed afternoon of a late August day, that indefinite season when partridges are still in security or cold storage, and there is nothing to hunt—unless one is bounded on the north by the Bristol Channel, in which case one may lawfully gallop after fat red stags. Lady Blemley's house-party was not bounded on the north by the Bristol Channel, hence there was a full gathering of her guests round the tea-table on this particular afternoon. And, in spite of the blankness of the season and the triteness of the occasion, there was no trace in the company of that fatigued restlessness which means a dread of the pianola and a subdued hankering for auction bridge. The undisguised open-mouthed attention of the entire party was fixed on the homely negative personality of Mr. Cornelius Appin. Of all her guests, he was the one who had come to Lady Blemley with the vaguest reputation. Some one had said he was "clever," and he had got his invitation in the moderate expectation, on the part of his hostess, that some portion at least of his cleverness would be contributed to the general entertainment. Until tea-time that day she had been unable to discover in what direction, if any, his cleverness lay. He was neither a wit nor a croquet champion, a hypnotic force nor a begetter of amateur theatricals. Neither did his exterior suggest the sort of man in whom women are willing to pardon a generous measure of mental deficiency. He had subsided into mere Mr. Appin, and the Cornelius seemed a piece of transparent baptismal bluff. And now he was claiming to have launched on the world a discovery beside which the invention of gunpowder, of the printing-press, and of steam locomotion were inconsiderable trifles. Science had made bewildering strides in many directions during recent decades, but this thing seemed to belong to the domain of miracle rather than to scientific achievement.
"And do you really ask us to believe," Sir Wilfrid was saying, "that you have discovered a means for instructing animals in the art of human speech, and that dear old Tobermory has proved your first successful pupil?"
"It is a problem at which I have worked for the last seventeen years," said Mr. Appin, "but only during the last eight or nine months have I been rewarded with glimmerings of success. Of course I have experimented with thousands of animals, but latterly only with cats, those wonderful creatures which have assimilated themselves so marvellously with our civilization while retaining all their highly developed feral instincts. Here and there among cats one comes across an outstanding superior intellect, just as one does among the ruck of human beings, and when I made the acquaintance of Tobermory a week ago I saw at once that I was in contact with a "Beyond-cat" of extraordinary intelligence. I had gone far along the road to success in recent experiments; with Tobermory, as you call him, I have reached the goal."
Mr. Appin concluded his remarkable statement in a voice which he strove to divest of a triumphant inflection. No one said "Rats," though Clovis's lips moved in a monosyllabic contortion, which probably invoked those rodents of disbelief.
"And do you mean to say," asked Miss Resker, after a slight pause, "that you have taught Tobermory to say and understand easy sentences of one syllable?"
"My dear Miss Resker," said the wonder-worker patiently, "one teaches little children and savages and backward adults in that piecemeal fashion; when one has once solved the problem of making a beginning with an animal of highly developed intelligence one has no need for those halting methods. Tobermory can speak our language with perfect correctness."
This time Clovis very distinctly said, "Beyond-rats!" Sir Wilfred was more polite but equally sceptical.
"Hadn't we better have the cat in and judge for ourselves?" suggested Lady Blemley.
Sir Wilfred went in search of the animal, and the company settled themselves down to the languid expectation of witnessing some more or less adroit drawing-room ventriloquism.
In a minute Sir Wilfred was back in the room, his face white beneath its tan and his eyes dilated with excitement.
"By Gad, it's true!"
His agitation was unmistakably genuine, and his hearers started forward in a thrill of wakened interest.
Collapsing into an armchair he continued breathlessly:
"I found him dozing in the smoking-room, and called out to him to come for his tea. He blinked at me in his usual way, and I said, 'Come on, Toby; don't keep us waiting' and, by Gad! he drawled out in a most horribly natural voice that he'd come when he dashed well pleased! I nearly jumped out of my skin!"
Appin had preached to absolutely incredulous hearers; Sir Wilfred's statement carried instant conviction. A Babel-like chorus of startled exclamation arose, amid which the scientist sat mutely enjoying the first fruit of his stupendous discovery.
In the midst of the clamour Tobermory entered the room and made his way with velvet tread and studied unconcern across the group seated round the tea-table.
A sudden hush of awkwardness and constraint fell on the company. Somehow there seemed an element of embarrassment in addressing on equal terms a domestic cat of acknowledged dental ability.
"Will you have some milk, Tobermory?" asked Lady Blemley in a rather strained voice.
"I don't mind if I do," was the response, couched in a tone of even indifference. A shiver of suppressed excitement went through the listeners, and Lady Blemley might be excused for pouring out the saucerful of milk rather unsteadily.
"I'm afraid I've spilt a good deal of it," she said apologetically.
"After all, it's not my Axminster," was Tobermory's rejoinder.
Another silence fell on the group, and then Miss Resker, in her best district-visitor manner, asked if the human language had been difficult to learn. Tobermory looked squarely at her for a moment and then fixed his gaze serenely on the middle distance. It was obvious that boring questions lay outside his scheme of life.
"What do you think of human intelligence?" asked Mavis Pellington lamely.
"Of whose intelligence in particular?" asked Tobermory coldly.
"Oh, well, mine for instance," said Mavis with a feeble laugh.
"You put me in an embarrassing position," said Tobermory, whose tone and attitude certainly did not suggest a shred of embarrassment. "When your inclusion in this house-party was suggested Sir Wilfrid protested that you were the most brainless woman of his acquaintance, and that there was a wide distinction between hospitality and the care of the feeble-minded. Lady Blemley replied that your lack of brain-power was the precise quality which had earned you your invitation, as you were the only person she could think of who might be idiotic enough to buy their old car. You know, the one they call 'The Envy of Sisyphus,' because it goes quite nicely up-hill if you push it."
Lady Blemley's protestations would have had greater effect if she had not casually suggested to Mavis only that morning that the car in question would be just the thing for her down at her Devonshire home.
Major Barfield plunged in heavily to effect a diversion.
"How about your carryings-on with the tortoise-shell puss up at the stables, eh?"
The moment he had said it every one realized the blunder.
"One does not usually discuss these matters in public," said Tobermory frigidly. "From a slight observation of your ways since you've been in this house I should imagine you'd find it inconvenient if I were to shift the conversation to your own little affairs."
The panic which ensued was not confined to the Major.
"Would you like to go and see if cook has got your dinner ready?" suggested Lady Blemley hurriedly, affecting to ignore the fact that it wanted at least two hours to Tobermory's dinner-time.
"Thanks," said Tobermory, "not quite so soon after my tea. I don't want to die of indigestion."
"Cats have nine lives, you know," said Sir Wilfred heartily.
"Possibly," answered Tobermory; "but only one liver."
"Adelaide!" said Mrs. Cornett, "do you mean to encourage that cat to go out and gossip about us in the servants' hall?"
The panic had indeed become general. A narrow ornamental balustrade ran in front of most of the bedroom windows at the Towers, and it was recalled with dismay that this had formed a favourite promenade for Tobermory at all hours, whence he could watch the pigeons—and heaven knew what else besides. If he intended to become reminiscent in his present outspoken strain the effect would be something more than disconcerting. Mrs. Cornett, who spent much time at her toilet table, and whose complexion was reputed to be of a nomadic though punctual disposition, looked as ill at ease as the Major. Miss Scrawen, who wrote fiercely sensuous poetry and led a blameless life, merely displayed irritation; if you are methodical and virtuous in private you don't necessarily want everyone to know it. Bertie van Tahn, who was so depraved at 17 that he had long ago given up trying to be any worse, turned a dull shade of gardenia white, but he did not commit the error of dashing out of the room like Odo Finsberry, a young gentleman who was understood to be reading for the Church and who was possibly disturbed at the thought of scandals he might hear concerning other people. Clovis had the presence of mind to maintain a composed exterior; privately he was calculating how long it would take to procure a box of fancy mice through the agency of the Exchange and Mart as a species of hush-money.
Even in a delicate situation like the present, Agnes Resker could not endure to remain long in the background.
"Why did I ever come down here?" she asked dramatically.
Tobermory immediately accepted the opening.
"Judging by what you said to Mrs. Cornett on the croquet-lawn yesterday, you were out of food. You described the Blemleys as the dullest people to stay with that you knew, but said they were clever enough to employ a first-rate cook; otherwise they'd find it difficult to get any one to come down a second time."
"There's not a word of truth in it! I appeal to Mrs. Cornett—" exclaimed the discomfited Agnes.
"Mrs. Cornett repeated your remark afterwards to Bertie van Tahn," continued Tobermory, "and said, 'That woman is a regular Hunger Marcher; she'd go anywhere for four square meals a day,' and Bertie van Tahn said—"
At this point the chronicle mercifully ceased. Tobermory had caught a glimpse of the big yellow tom from the Rectory working his way through the shrubbery towards the stable wing. In a flash he had vanished through the open French window.
With the disappearance of his too brilliant pupil Cornelius Appin found himself beset by a hurricane of bitter upbraiding, anxious inquiry, and frightened entreaty. The responsibility for the situation lay with him, and he must prevent matters from becoming worse. Could Tobermory impart his dangerous gift to other cats? was the first question he had to answer. It was possible, he replied, that he might have initiated his intimate friend the stable puss into his new accomplishment, but it was unlikely that his teaching could have taken a wider range as yet.
"Then," said Mrs. Cornett, "Tobermory may be a valuable cat and a great pet; but I'm sure you'll agree, Adelaide, that both he and the stable cat must be done away with without delay."
"You don't suppose I've enjoyed the last quarter of an hour, do you?" said Lady Blemley bitterly. "My husband and I are very fond of Tobermory—at least, we were before this horrible accomplishment was infused into him; but now, of course, the only thing is to have him destroyed as soon as possible."
"We can put some strychnine in the scraps he always gets at dinner-time," said Sir Wilfred, "and I will go and drown the stable cat myself. The coachman will be very sore at losing his pet, but I'll say a very catching form of mange has broken out in both cats and we're afraid of it spreading to the kennels."
"But my great discovery!" expostulated Mr. Appin; "after all my years of research and experiment—"
"You can go and experiment on the short-horns at the farm, who are under proper control," said Mrs. Cornett, "or the elephants at the Zoological Gardens. They're said to be highly intelligent, and they have this recommendation, that they don't come creeping about our bedrooms and under chairs, and so forth."
An archangel ecstatically proclaiming the Millennium, and then finding that it clashed unpardonably with Henley and would have to be indefinitely postponed, could hardly have felt more crestfallen than Cornelius Appin at the reception of his wonderful achievement. Public opinion, however, was against him—in fact, had the general voice been consulted on the subject it is probable that a strong minority vote would have been in favour of including him in the strychnine diet.
Defective train arrangements and a nervous desire to see matters brought to a finish prevented an immediate dispersal of the party, but dinner that evening was not a social success. Sir Wilfred had had rather a trying time with the stable cat and subsequently with the coachman. Agnes Resker ostentatiously limited her repast to a morsel of dry toast, which she bit as though it were a personal enemy; while Mavis Pellington maintained a vindictive silence throughout the meal. Lady Blemley kept up a flow of what she hoped was conversation, but her attention was fixed on the doorway. A plateful of carefully dosed fish scraps was in readiness on the sideboard, but the sweets and savoury and dessert went their way, and no Tobermory appeared in the dining-room or kitchen.
The sepulchral dinner was cheerful compared with the subsequent vigil in the smoking-room. Eating and drinking had at least supplied a distraction and cloak to the prevailing embarrassment. Bridge was out of the question in the general tension of nerves and tempers, and after Odo Finsberry had given a lugubrious rendering of 'Melisande in the Wood' to a frigid audience, music was tacitly avoided. At eleven the servants went to bed, announcing that the small window in the pantry had been left open as usual for Tobermory's private use. The guests read steadily through the current batch of magazines, and fell back gradually on the "Badminton Library" and bound volumes of Punch. Lady Blemley made periodic visits to the pantry, returning each time with an expression of listless depression which forestalled questioning.
At two o'clock Clovis broke the dominating silence.
"He won't turn up tonight. He's probably in the local newspaper office at the present moment, dictating the first installment of his reminiscences. Lady What's-her-name's book won't be in it. It will be the event of the day."
Having made this contribution to the general cheerfulness, Clovis went to bed. At long intervals the various members of the house-party followed his example.
The servants taking round the early tea made a uniform announcement in reply to a uniform question. Tobermory had not returned.
Breakfast was, if anything, a more unpleasant function than dinner had been, but before its conclusion the situation was relieved. Tobermory's corpse was brought in from the shrubbery, where a gardener had just discovered it. From the bites on his throat and the yellow fur which coated his claws it was evident that he had fallen in unequal combat with the big Tom from the Rectory.
By midday most of the guests had quitted the Towers, and after lunch Lady Blemley had sufficiently recovered her spirits to write an extremely nasty letter to the Rectory about the loss of her valuable pet.
Tobermory had been Appin's one successful pupil, and he was destined to have no successor. A few weeks later an elephant in the Dresden Zoological Garden, which had shown no previous signs of irritability, broke loose and killed an Englishman who had apparently been teasing it. The victim's name was variously reported in the papers as Oppin and Eppelin, but his front name was faithfully rendered Cornelius.
"If he was trying German irregular verbs on the poor beast," said Clovis, "he deserved all he got."

The Library.


Saturday, April 28, 2012

Borges-HIS END AND HIS BEGINNING

HIS END AND HIS BEGINNING
Jorge Luis Borges: from: In Praise of Darkness. 1969.
After dying, now alone, torn apart, and rejected by his body, he fell asleep.  When he woke up, his usual habits and customs were waiting for him.  He told himself that he shouldn’t think too much about what happened the night before and, spurred on by this resolution, he dressed in a leisurely fashion.  At the office, he went about his tasks efficiently enough, though he had the unsettling impression that he was repeating something that had already been done before, caused often by fatigue.  He had the sense that the others were avoiding looking at him, perhaps because they knew that he had already died.  That evening his nightmares began and though he could retain nothing the next morning, he was still fearful that there would be more.  After a while, this fear was justified; it came between him and the page he was working on or the book he was attempting to read.  The letters on the paper slithered and pulsated, and some faces familiar to him grew indistinct, men and objects gradually drifted away from him.  His mind gripped on to these changing forms as if in a frenzy of tenacity.
As strange as it might seem, he never suspected the truth; it came to him all at once.  He finally understood that he could not remember shapes, sounds, or colors in his dreams, that there really were no shapes or sounds or colors, and that they were not dreams at all.  They were his reality, a reality well beyond silence and sight, and therefore beyond memory.  This perturbed him much more than the fact that after dying he had been fighting against a chaos of senseless images.  The voices he had been hearing were echoes; the faces, masks.  The fingers of his hand were shadows, blurry and unreal, but still familiar and recognizable to him.
Somehow though, he knew that it was his duty to leave behind all those things.  He now belonged to another world, detached from past, present, and future.  Gradually this new world began to surround him.  He underwent much agony, went through regions of despair and and solitude.  These wanderings were particularly atrocious, because they went beyond all of his former perceptions, remembrances, and hopes.  All their horror came from being so new and splendorous.  He was worthy of grace --all that time since death he had been in heaven.
translated by Alexander Coleman

Sunday, March 25, 2012

ALVARO MUTIS





Alvaro Mutis has become one of my favorite writers. i'm posting a poem of his here and hope you enjoy it.

Tequila

by Alvaro Mutis

translated from the Spanish by Forrest Gander


—for María and Juan Palomar

Tequila is a clean flame that clambers up the walls
and shoots over tiled roofs, relief to despair.
Tequila isn’t for sailors
because it blurs the navigational instruments
and dismisses the wind’s tacit orders.
But tequila, on the other hand, enraptures those returning by train
and those driving the train, because it stays faithful
and blind in its loyalty to the rails’ parallel delirium
and to hurried greetings in the stations
where the train pauses to testify to
its inscrutable destination, errant, subject to the inevitable laws.
There are trees under whose shadow it is wonderful to drink it
with the parsimony of those who preach in wind
and other trees where tequila can’t stand the shade
that dims its powers and in whose branches it stirs up
a flower blue as the warnings on bottles of poison.
When tequila waves its fringed, serrated flag,
the battle halts and armies return
the order they intended to impose.
Often two squires accompany it: salt and lime.
But it is always ready to start the conversation
without any more help than its lustrous clarity.
From the start, tequila doesn’t recognize borders.
But there are propitious climates
just as certain hours suggest it, knowing full well: to fix
the time when night arrives at its stores,
in the splendor of an afternoon without obligations,
in the highest pitch of doubt and hesitation.
It is then when tequila offers us its consoling lesson,
its infallible joy, its unreserved indulgence.
Also, there are foods that call for its presence:
those springing from the ground from which it, too, was born.
Inconceivable if they didn’t bond with millenary certainty.
To break that pact would be a grave breach with dogma
prescribed to allay the rough job of living.
If “gin smiles like a dead girl,”
tequila spies on us with the green eyes of a prudent sentry.
Tequila has no history, no anecdote
confirming its birth. It is so from the beginning
because it is the gift of the gods
and, usually, when they promise something they aren’t telling tales.
That is the office of mortals, children of panic and habit.
Such is tequila and so it will be
keeping us company
all the way to the silence from which no one returns.
Praise be, then, until the end of our days
and praise the daily effort toward denying that end.

Alvaro Mutis was born in Bogota, Colombia, in 1923 and educated in Belgium. Since 1956 he has lived primarily in Mexico where he has worked for Columbia Pictures TV. Mutis has published several volumes of fiction, including The Adventures of Magroll. (1996)

Forrest Gander’s most recent books of poetry are Deeds of Utmost Kindness and Lynchburg. With the poet C. D. Wright, he edits Lost Roads Publishers and works outside of Providence. (1996)