







THE CAPTAIN’S PRAYER
from The Snow of the Admiral
Alvaro Mutis
High calling of my protectors, those who have gone
before me, my constant guides and mentors,
come now in this moment of danger, extend your sword,
with firmness uphold the law of your purpose,
revoke the disorder of birds and creatures of evil omen,
wash clean the hall of innocents
where the vomit of the rejected congeals lieke a sign of
misfortune, where the garments of the supplicant
are a blemish that deflects our compass, makes our cal-
culations uncertain, our forecasts mistaken.
I invoke your presence at this hour and deplore with all
my heart the manacles of my equivocations:
my pact with man-eating leopards in the mangers,
my weakness and tolerance for serpents that shed their
skin at the mere shout of lost hunters,
my communion with bodies that have passed from hand
to hand like a staff to ford a stream, and on whose skin the
saliva of the humble is crystallized,
my ability to contrive the lie of power and cleverness
that moves my brothers away from upright steadiness in
their purposes,
my carelessness in proclaiming your power in customs
offices and guardrooms, in pavilions of sorrow and on pleas-
ure boats, in guard towers along the border and in the corri-
dors of the powerful.
Wipe away in a single stroke all this misfortune and in-
famy, save me,
certain of my obedience to your bitter laws, your abu-
sive haughtiness, your distant occupations, your desolate
arguments.
I give myself completely to the domination of your unob-
jectionable mercy, and with all humility I prostrate myself
at your feet
to remind you that I am a traveler in mortal danger, that
my ghost is worth nothing, that those who perish far from
home are like trash swept into a corner of the market,
that I am your servant and am helpless, and that these
words contain the unalloyed metal of one who has paid the
tribute
owed to you now and forever throughout pale eternity
Amen.
Taylor Graham
HOW THE STORY GOES
From heath-land to plain to escarpment,
broken reed at water’s edge, we’ve
searched for the bridging point, a way
across. Past summer, the air’s still
full of wasps, yellow swarms like tiny
ticking clocks too fast to count how time
passes into fall. We find their
paper-nests empty, deserted as winter.
I keep a paper-journey, journal
of passage place to place, always later.
Green rooms of grain-fields scythed.
Click-tick of rats in stubble, dry music
that repeats in dream. Night
watches, fires seen as far as the horizon,
swarming distant light. Life is always
a flight risk, time indigenous
as a rodent’s tooth. A king in exile
seeks home, memory, his mind. And so
we wander. How does this end?
Shadows drain color from landscape
on the other side. In time,
the page I write is paper consumed
to pulp. Tomorrow
we might find the bridging point.
MESSAGES TO EARTH
—Taylor Graham
We sent our Curiosity to Mars. But waiting
is so difficult for humans. What could we ever
solve? death, or love, peace, or hunger, life?
Late at night, might a computer record blips
from space, to chart them like French
or German for tense, mood, and person?
I follow rabbit-trails of dream in my sleep.
But my hair reaches out wild in all
directions, antennae for receiving signals.
One who knows names of stars
gazes into the night sky focusing on
the brightest body, visible at solstice
this bleakest time of year when the soul
seems ice-crystal. Planet or star?
Are its pulses a Morse code we might
decipher, to learn a language beyond
our grammar, our tongues to pronounce,
our human translations?
THAT THE MOON
That the moon doesn't care for Spring.
That it doesn't fill itself out as an announcement
That a season is coming. It has its own games,
Water, the blood moving through mammals,
Huge hatches of insects making another music.
Still it shines brighter than all else in the night
Sky. It opens the earth itself in rain or clear
Light and gives names to the waking of the ground.
No matter where we go, if the night is open,
Clear and the course of this spinning planet
Is open and not just showing off the stars,
There she is, her royal majesty, directing everything
From the top of the night, not caring who or what
Sees her light, the llama races or mischief
In the eyes of old magicians somewhere in Mexico.
Slipping through the fog above the Great Lakes,
Holding court before the Northern Lights,
It is still the moon, careless and reclining
On the whole of our sky with us always loving it.
PENTECOST
The last of nothing drifts by.
All of space is now occupied.
We are now ready to receive
The Holy Spirit. It does not
Come as tongues of flame,
But occupies the cells of the body
Like crowded subway cars at night,
Full of dozing riders and people
Reading books as if their life depended on it.
We cross the tracks carefully.
We are unable to recognize anyone
We pass. Balloons of vision lift
From the clouds of people, rise up,
Are lost in a reaching of hands to grasp
The colorful strings dangling from them.
The gift of tongues is ours once more.
Touch our hand and you shall be healed.
No one believes this to be true. We buy food,
Giving away bars of chocolate and plastic
Wrapped sandwiches. Some shed tears,
Thanking us as we move forward.
Times like this will come again.
The seas lash the shores. Tornados
Sweep the kingdom. Fire consumes
All that is left. We suffer fools
With their predictions and admonitions.
This is indeed pentecost. We can not name it other.
Illuminated display boards at the exits flash
Our names and show grainy images of what
We are supposed to look like. We lose
Ourselves in the crowd, the buzz of understood
Conversations in every language of the world.